SeekMarketing

Video & Animation · 18 August 2026

The drone permit worth asking for

Commercial aerial work in Malaysia needs CAAM approval. Ask who is flying your shoot, and settle the usage licence separately from the day rate.

Video is one of the few disciplines on this site where a real permit exists, where it is required by law, and where a buyer almost never asks to see it.

Aerial work is regulated

Flying a drone commercially in Malaysia is not the same as flying one in a park. Commercial operations fall under the Civil Aviation Authority of Malaysia, and the operator needs approval to carry them out.

The approval attaches to the operator and the operation, not to the camera. So the question is about the person flying on the day, which may not be the production company you signed with — aerial work is very commonly subcontracted.

Ask who is flying, and ask whether they hold current approval for the kind of operation your shoot involves.

Why it lands on you

If a shoot goes wrong — an incident, a restricted-airspace problem, a complaint — the production company is the one with the regulator to answer to. But you are the one whose launch date moves, whose footage does not exist, and whose brand is attached to it.

The permit question costs you one line in an email. Skipping it puts your schedule downstream of somebody else’s compliance.

Location approval is separate

Airspace is not the only permission in play. Filming in a shopping centre, on private land, in a public park, or near an airport can each need its own consent from whoever controls that ground.

Establish who is responsible for obtaining those — production companies usually handle it, but “usually” is not “contractually”, and this is a common gap in a one-page quote.

The licence is not the shoot

The most frequent misunderstanding in this category has nothing to do with regulation. A quote that names only a production fee is incomplete, because the fee to make the film and the licence to use it are two different things.

Settle, in writing:

  • Where the footage can be used — organic social, website, paid media, broadcast.
  • For how long.
  • Whether raw footage and project files are included or extra.
  • Whether the licence extends to territories outside Malaysia.

A film you cannot run as an advertisement is an expensive showreel entry, and the time to discover the restriction is before the shoot rather than during the media plan.